I've just finished
my...what?...21st?...22nd? book; 15 of them are
part one series, the Dick Hardesty Mysteries. Series are, by
definition, the carrying over of a character or set of characters
from one book to another, and I'm not aware of how many other mystery
series have as many books.
The Dick Hardesty series
follows protagonist Dick Hardesty, his partner Jonathan, Jonathan's
orphaned six-year-old nephew, Joshua, and a circle of close friends
from story/mystery/adventure to story/mystery/adventure. It has
reached the point where, though any of the books can easily be read
alone without knowledge of what has come before, I look at each book
as a chapter in the story of Dick's life.
All books tend to be either
plot-driven or character-driven, and I've become increasingly aware
that in my books, perhaps most strongly in the just completed The
Serpent's Tongue, in the balance between plot and character,
character tends to prevail over the
mystery itself. It's hard to overstate the importance of a
book's characters. (Several of my books have murderers with whom the
reader can empathize.)
I've been fortunate in
developing a solid reader base of good people who seem to find my
characters both believable and likable—several have been kind
enough to say they think of them as friends.
I write each book as a
one-sided conversation with the reader. I am very careful to sprinkle
sufficient clues—and admittedly a considerable number of red
herrings—throughout the book so that the reader can follow their
trail, like breadcrumbs, to the killer. It doesn't bother me in the
least that the reader might figure out who the killer is before I
figuratively call everyone into the drawing room to say, “And the
killer is...!”;...that's why I put the clues there in the first
place. But it did bother me a bit that some readers might feel
somehow shortchanged if they figured out who-dunnit before Dick does.
Every book of fiction is a
balance between story and character. But I've long wondered just how
readers, not just those who already follow the Dick Hardesty series,
feel about that balance; which do they consider most important? So I
posed the question on a couple websites including Facebook, and was
relieved and gratified that most of the responses thought the balance
was tipped rather strongly in favor of character.
I've always felt that my
books leaned heavily toward character—that character was the ship
plowing through the sometimes stormy seas of the plot.
Those who regularly follow
my blogs are aware that I consider Dick Hardesty an
alternate-universe me. Our thought processes, our sense of humor, our
outlooks on life, our firm beliefs, goals, desires, and emotional
reactions are identical. So much so that I find an odd sense of
personal validation, not only as a writer but as a human being, in
the somewhat convoluted assumption that for a reader to like Dick is
to like me.
It's often been said that
writing is a form of catharsis, and I couldn't agree more. Creating
Dick's very-real-to-me world has also allowed me to vicariously have
things I have always so deeply wanted and too seldom had, primarily a
partner with whom to share my life. Jonathan, as I've mentioned
several times in my blogs, is based in large part on Ray Lopez, who I
consider, viewed through the Vaseline-coated lens of memory, to have
been the love of my life. Through the catharsis of writing, I can
overlook the fact that Ray was a hopeless alcoholic who died of
alcohol-induced AIDS. I loved him, and that is all that matters. And
so I can give Dick, Jonathan...and Joshua...the “happily ever
after” I've not found for myself.
Books allow each of us to
live lives other than our own, to find out-of-ourselves pleasure
though the words and mind of another. I consider myself blessed to be
a writer and, to me, there is nothing more validating or rewarding
than when a reader finds pleasure in what I've written.
Dorien's
blogs are posted by 10 a.m. Central time every Monday, Wednesday, and
Friday. Please take a moment to visit his website
(http://www.doriengrey.com)
and, if you enjoy these blogs, you might want to check out Short
Circuits: a Life in Blogs (http://bit.ly/m8CSO1).
1 comment:
Well told - a good story has both with character a notch above plot - if the reader doesn't care what happens to the characters (likeable and unlikeable)then plot becomes pointless
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